The Absolute Most Shocking Horror Movie of 2025 Originated From a Intensely Individual Dread
Good Boy is a horror movie in a class of its own. Audiences have witnessed haunted house movies, but instead of focusing on screaming teens or fearless ghost investigators, the narrative unfolds through the eyes of a dog. (A Nova Scotia Duck Tolling Retriever, to be precise.) In Good Boy, Indy the pup has to safeguard his owner as paranormal entities close in on their remote cabin.
Initially planned for a limited release, this fast-paced, 90-minute thriller received a broad release after its trailer went viral, with audiences rushing to search engines to find out if Indy survives. This article won't reveal the ending here, but should you be interested where the idea for Good Boy came from in the first place, we've got you covered.
The Creative Spark Behind the Film
Rookie director Ben Leonberg, who’s also the real-life owner of Indy, notes he intended to create this movie to explore the fears that every dog owner shares.
“I think it stems from a thought or maybe worry every dog owner has had, which is, ‘Why is my dog barking at nothing or staring at nothing?’” Leonberg comments. “There's probably a perfectly valid reason for that, but the human imagination inevitably considers the worst, think ghosts. I wanted to play on that anxiety. Then, in the screenwriting and filming process, it was determining how to tell a story that really locks into that perspective, where we're limited to everything the dog can even understand as a way to have this narrative unfold.”
Good Boy is experimental in the best way, hooking audiences immediately with a protagonist you unavoidably care for and root for, excels at exposition, and utilizes offhand dialogue from other characters, especially since our protagonist can’t talk.
Crafting the Canine Perspective
Leonberg maintains that his dog isn’t giving a performance, but rather it's the cinematic craft of the film that gives life to each scene. Indy is one of the most innocent protagonists in film history, and this fact is fully appreciated by its director.
“I think Indy, probably all dogs, all animals, are a sort of hack for pulling on an audience's heartstrings because they are innocent,” Leonberg says. “They don't know they're in the movie. And there's a really interesting lesson just about performance, that he's not performing. I can't say that enough, he does not know he was in a movie, but through filmmaking, the sound design, the music, the shots, the lighting, you can kind of convey an emotion and a feeling on his — what are otherwise neutral expressions — and the audience will assign an acting quality onto him. I think that genuinely is how most of the movie works: the filmmaking is telling the audience how to feel, and then they're putting that emotion on. He's listening to us just make silly noises on set. And the audience says, Wow, I'm scared. So the dog must be scared. He's not. He's just trying to figure out what his mom and dad are doing.”
Even down to the breed of dog, everything was carefully planned to fuel audience reactions.
“I think we relate to a dog like Indy,” Leonberg comments, gesturing to the pet sitting behind him. “He's not very big, he's only 19 inches high. The camera resides 19 inches off the ground, which was challenging in filmmaking. But I don't know if you would want a big Cujo St Bernard; that would be such a formidable opponent for the supernatural.”
Indy is a bit small when it comes to beasts that might fight the supernatural.
“How could he possibly succeed? That's really good for a story,” Leonberg remarks. “Also stinking cute.”
Good Boy is in theaters now.
